Artists rarely sit still. So why has award-winning creative director David Bergeron been with DCP since 1998? Simple, says the veteran designer (with experience at Landor and other big agencies). With so many creative challenges, boredom is out of the question. And the wide range of clients, from pro sports teams to nonprofits, keeps David and his talented staff on their toes, meeting needs with inspired solutions.

Deborah Kirk, editorial director, firmly believes that writing isn’t a job, but an abiding passion. And that passion is evident in the uncompromising editorial standards she brings to DCP's award-winning content. Previously, Deborah held senior editorial positions at Harper’s Bazaar, Details, and Scuba Diving.

Clients are happy to have an 11-year DCP veteran like senior project manager Laura-Lee Love looking after them. Adept at juggling a multitude of details, managing deadlines and paying close attention to quality, Laura-Lee always makes the near-impossible look easy.

The most elegantly designed, well-written publication is worthless if it doesn’t serve a client’s objectives. A DCP employee since 1996, senior account manager Dennis Cook understands this instinctively. It’s not about “creative ego,” he says, but about the client’s needs and offering solutions in the most creative and cost-effective way.